By Gene Watts, Trombone, The Canadian Brass, December 1999
Let us consider the purpose of music and performance. Is there
a purpose in music beyond our own technique and satisfaction? Is
success in music judged on our own personal comfort, or are there
higher forces at work? A bee thinks he is gathering honey for food
but in that process he is actually pollinating the world. In the
same way, a performer may think that he is entertaining an audience
while in reality he is changing the frequency of his audience. Music,
which is a frequency, has a definite effect on both performer and
audience. Every person resonates at a certain frequency. It is this
frequency which creates his personality and his relationship to
the collective consciousness. These are loaded words but stay with
me for a moment.
A musician spends years practicing to develop a technique to enable
him to present the music which he hears in his mind. He is learning
to focus his awareness in this practice at a very subtle level to
produce pure music or vibration. Practicing to focus allows him
to experience the level of silence at which music is created. The
music that is created at this level of silence is in turn presented
to the audience, effecting the audience in a profound way: it realigns
the audience's frequency to that of the performer. The energy of
the audience's attention is then transferred back to the performer
giving him even more energy to focus his attention on his music.
This creates a free flow of energy between audience and performer.
This experience is the greater purpose of music.
If we can understand all of this, or at least accept it, it is
very easy to understand what we call stage fright. When we are in
front of an audience, a change in our perception of ourselves takes
place because of the energy exchange described above. When this
is resisted the nervous system goes berserk and we seem to lose
control. If we use this energy to enhance our focus on what we are
doing, a successful performance will ensue.
This energy exchange is what performers live for. It is the joy
of performing. It is what the audience expects when they pay
money to hear us perform. Both performer and audience will be changed
by the performance. They will feel lighter, exhilarated, and will
actually experience a more refined state of consciousness than before.
This is the magic that music held for people in early times. Now,
with the changes that seem to be happening during Y2K, we as musicians
have a responsibility and privilege to become again an integral
part of our world. This responsibility requires complete devotion
to excellence, not only technically, but in the purity of our approach
to the music we present.